欧洲的某个地方

Q：电影《欧洲的某个地方》是什么时候上映的？
A：这部影片的上映时间是：1948-11-19

Q：《欧洲的某个地方》这部电影有哪些值得关注的亮点？
A：《欧洲的某个地方》这部影视作品有以下亮点：一是独特的剧情设定，引人入胜；二是Artúr Somlay,Miklós Gábor,Zsuzsa Bánki表现出色，演技精湛；三是精美的画面和音乐，营造出浓郁的氛围。

Q：《欧洲的某个地方》电影演员有哪些？
A：欧洲的某个地方是由Radványi Géza执导，Artúr Somlay,Miklós Gábor,Zsuzsa Bánki主演的剧情。

Q：哪个网站可以免费看电影《欧洲的某个地方》？？
A：不用VIP就可以在线观看的网站地址：http://www.jobweihai.com/vodplay/118084-1-1.html

Q：《欧洲的某个地方》讲述的是什么故事？
A：来自天堂影院网友的回答：该电影讲述了　　Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends? The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences: an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to "formalism for its own sake" have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

Q：《欧洲的某个地方》主要演员有哪些？
A：该影片的主要演员有：Artúr Somlay Miklós Gábor Zsuzsa Bánki 等人。

Q：《欧洲的某个地方》有多少集？
A：腾讯视频网友：目前《欧洲的某个地方》具体总集数可以去百度问答看看！

Q：《欧洲的某个地方》这部剧中，你觉得Artúr Somlay Miklós Gábor Zsuzsa Bá 的演技怎么样?
A：影视大全网友：最近有Artúr Somlay Miklós Gábor Zsuzsa Bá 等演员主演的欧洲的某个地方一经播出就受到了很多观众的欢迎和认可，这部电影里面，演员的演技都是非常值得肯定的，我觉得Artúr Somlay,Miklós Gábor,Zsuzsa Bá在里面的演技非常的好，演员能够去把握这个角色所要表达的情感，向观众展现出更好的作品。

Q：《欧洲的某个地方》电影给你留下了怎样的印象？
A：天堂影院给我留下了深刻的印象，不仅剧情引人深思，而且演员表现出色，整体制作水平较高，值得一看。

Q：《欧洲的某个地方》这部剧的剧情紧凑吗？
A：是的，《欧洲的某个地方》这部剧的剧情紧凑，情节跌宕起伏，引人入胜。剧中人物关系复杂，故事线索交织，让观众在观看的过程中充满期待和紧张感。

Q：哪个软件可以在线观看《欧洲的某个地方》电影
A：yy6080影视网友：很多地方都可以看呀，我是在www.jobweihai.com/voddetail/118084.html 上看的，打开APP后直接搜索《欧洲的某个地方》就能看了。

Q：《欧洲的某个地方》评价怎么样？
A1：豆瓣电影影评：我其实是想给欧洲的某个地方4颗星的，但是稍微回味了一会儿，觉得它不值，还是三星半吧。其实，我一向对其它剧情非常宽容，甚至可以大言不惭的说，在国内和国际制作水平差距极大的情况下，我就是“双标”——都不在一个起跑线上，根本没法比呀。所以经常出现国外影片堪堪尚可，我却只给三星及格，其它剧情只是稍微拍出了一点点好看，我就会给三星及以上，如果演员演技爆炸或者剧本极佳，我也不会吝啬我的5星，但是如果按照给国外影片打分的标准，这些其它剧情可能通通都只能有三四颗星以下。
A2：1905电影网影评:《欧洲的某个地方》呈现出的现代城市⽓质则让⼈尤为亲切。在当下创作环境⾥，导演Radványi Géza能坚定地从内⼼感受出发，严肃直⾯社会与个⼈ 碰撞后的荒谬感和悲剧性，这种勇⽓和表达的技巧都是值得称赞的。虽然《欧洲的某个地方》在⽬前其它推崇娱乐商业⽚的市场⾥显得卓 尔不群，但对于其它的主流观众来说，它绝不是⼀部⽣涩难懂的电影，也不必担⼼观众⼝碑问题。
A3：mtime时光网影评：可视的道具利用人们对影片故事情节的了解，制造了恐怖的悬念和暗示，从而激发了观众心中与生俱来的恐惧，这种意味明确的道具在故事进程中的重现，对将故事推向高潮，将观众审美心理推向更积极的参与阶段，使观众对故事信息的重组和判断都有着非常迅速、非常鲜明的作用。
A4：烂番茄影评：观影建议：这是一部真正适合电影院的电影，所以和麦当劳巨无霸一个道理，屏幕越大越好。另反感其它人的，尤其是心系形象建设的，普及标准普通话的，建议别看，否则会被高口碑骗得裤子不剩哈。o(╯□╰)o